Trained at Trinity College of Music. A composer, conductor, orchestrator, director, deviser, multi-instrumentalist, performer, teacher, producer and improviser. He has composed for Dance, Theatre, Film, TV, Animation, Installation and the concert hall.
He has worked with skins, strings, bottles, bodies, bags, bins, reeds, radiators, tables, tubes, chalk, celery, theatres, laptops, living rooms, bones, trombones, algorithms, impulses, voices, orchestras and other instruments. He has been on fire, drenched, swung, held, dead, released, a prisoner, a rabbit, and an angel. He's written, taught, studied, struggled, practised, devised, directed, danced, improvised and guessed.
He's performed in over 40 countries, in venues from Brooklyn Academy of Music to Theatre De Ville to an Operating Theatre and from The Royal Opera House to Sydney Opera House.
He's written for over 60 productions and his music has been performed internationally - from Wuppertal to Blackpool to Tasmania.
"the complex rhythms drive the pace of the piece. The dancers' bodies respond to the beat, each movement remarkably in sync...The outbreaks of applause throughout Wide Awakening say it all"
"It's both poetry in motion and contrasting emotions in motion, set to a soundtrack of uke, guitar, breakbeat and an increasing babble of voices...and contemporary shape-shifting shimmies to James Keane's thunderous soundtrack. It makes it impossible not to move in your seat"
James Keane - Trained at Trinity College of Music. A composer, conductor, orchestrator, director, deviser, multi-instrumentalist, performer, producer and improviser. He has composed for Dance, Theatre, Film, TV, Animation and the concert hall.
As a performer he has worked with Deborah Warner (LIFT), Tom Morris (NT, BAC), Struan Leslie (NT, WNO), Melly Still (Lyric Hammersmith), Johnathan Stone (Purcell Room and touring), Julian Crouch (BAC), Lizzi Kew-Ross (Laban), Simon Fisher Turner (The Roundhouse), Arnaud Deplechin, (in the film "Esther Khan"), Britten Pears Orchestra,The Clod Ensemble, Ballet Rambert.
He toured internationally for ten years with Hofesh Shechter's "Pollitical Mother" as Guitarist and Drummer, also performing in "In your rooms - The Choreographer's Cut", "Survivor" with Antony Gormley (Barbican), and in "Political Mother: The Choreographer's Cut" in Brixton Academy, Sadlers Wells, Paris, Berlin, Montpellier, Hong Kong and Tokyo.
James was a founder member of the London Guitar Trio, premiering over 20 new works, he has also played in numerous bands including The Jazz Cigarettes (live karaoke), The Emmits, The Blue Dogs and Heist (supporting The Fall).
Orchestrations include work for Murray Gold (BBC, C4 & films), John Browne (ROH), Paul Clark (Katie Mitchell), Steve Blake (Cholmondeleys & Featherstonehaughs), WNO Chorus and Akram Khan's "Creature" (ENB) for composer Vincenzo Lamagna.
He has taught at Trinity Laban, Central School Of Speech And Drama,
Universities of Chichester, Salford and Portsmouth and for seven years was an Associate Lecturer in Theatre Improvisation at University College Winchester.
He has played for contemporary classes and ballet at Trinity Laban (16 years), Royal Ballet School, Ballet Rambert, University of Surrey, University College Chichester and for
Adventures in Motion Pictures, Lost Dog and DV8. He was also musician in residence for the 2014 Brighton Festival Parade.
He conducted a choir at Tate Modern Turbine Hall & Royal Opera House in Clod Ensemble's "Silver Swan", a string orchestra (and played fuzz bass) in Clod's "An Anatomie in Four Quarters" at Sadlers Wells, Wales Millennium Centre and Manchester Camerata at The Lowry; conducted Opera North Chorus in RnD for a new opera by Melanie Wilson; “News Night - the Opera” 10 commissioned composers, directed by Tom Morris; Associate musical director for the world premiere of "Here All Night", words by Samuel Beckett, music by Paul Clark at the Brighton Festival '13 and Arts Emerson, Boston '16.
He has also orchestrated and conducted numerous sessions for TV, Film and records.
He has composed for Charles Linehan, Lost Dog, Charlotte Spencer Projects, Youth Music Theatre UK, Scottish Dance Theatre, Rachel Birch-Lawson, Lizzi Kew Ross, Struan Leslie for The Circus Space, Flexer & Sandiland, Sophia Nappi, Ali Curtis Jones with Summit Theatre, Candoo2, SHIFT, The Natashas Project, Noa Genazzano, Marina Collard and
Joss Arnott Dance - including a piece with Dame Evelyn Glennie which she is now performing in recitals.
Recently he composed the score for the award wining short film "Becoming Everything" directed by Dan Löwenstein.
He also works regularly with Theo Clinkard, writing and performing in company works - Chalk, Of Land And Tongue and This Bright Field (Brighton Festival Commission) and for his new Sadler's Wells Commission The Village (with The London Bulgarian Choir) and "somewhat still when seen from above" for Tanztheater Wuppertal Pina Bausch.
And...Or...
James has been described as "poetic", "purposefully chaotic", "pleasingly unobtrusive", "the Keith Moon of Dance Accompaniment", "clever", "a talentless hack", "interesting", "breakneck", "glorious", "terrific", "pounding" "undulating", "thunderous", "dappled", "still too loud", "simplicity belying complexity" and "summoning thoughts of wind blown picnics".